“Pretty Smart” Subversive Intelligence In Girl Power Cartoons

It was hypothesized that these keys/characterizers function to cue the readers so that they frame the message of the cartoon in a way that permits a humorous interpretation of the cartoon's content. Situated in the period of the third home rule bill and the articulation of opinion about it in Toronto (1910-1914), the article concentrates on the city’s media and particularly the visual content of cartoons published in the strongly pro-empire Evening Telegram. They suggest that while a nationalist “green” identity had acquired a respectable and largely middle-class character among Catholics of Irish birth and ancestry in the early twentieth century, there were still forces at work that resisted placement of the latter group on a footing equal to the city’s Protestant majority. While recent years have seen increasingly sophisticated extensions of Lakoff and Johnson’s theory of conceptual metaphor into the analysis of visual representations, I argue that Fauconnier and Turner’s theory of Conceptual Integration (aka Conceptual Blending) is better suited to explaining the mechanics of visual representation and their impact as carriers of ideological views.

Strips where a continuously running theme is based on an entomological taxon (e.g., Spiderman , the ants in B.C ., the bugs in Pogo , and the cockroach in Bloom County and Outland ) were not included in the analysis unless the humor was directed at another insect. The cartoons represented a variety of interests of the cartoonists and most were nationally syndicated strips. Questions were designed based on integration of concept cartoons and multimedia in hopes that the unexplainable contents of an object can be appropriately represented and interpreted through the means of concept cartoons, and that student’s understanding of the questions and interests in test taking can be effectively enhanced through pictorial presentation of concept cartoons. The outcomes indicated that incorporation of concept cartoons in multimedia on-line testing can improve accuracy than traditional written test on paper. Further, the on-line testing tool can attain satisfactory results in system utilization, animation design, attracting students’ attention and enhancing their understanding of the questions.

This paper aimed at constructing a two-tier on-line testing system. 1 Japanese long-fibred mulberry paper chosen to provide a strong flexible additional support for the cartoon sections. National Gallery, calcium hypochlorite was chosen as the preferred cleaning agent in place of a reducing agent, such as sodium borohydride or hydrogen peroxide, which can have a potentially destructive effect on indigo dyestuffs. In 1990, Stevenson, et al.8 became the first to examine the effect of video viewing as an alternative to sedation in children who underwent cardiac US examinations. However, there are some risks of adverse effects and even sedation failure.3, 12 Therefore, numerous studies have sought to find 늑대닷컴  alternative methods. They showed that 35 of 38 patients (age: 5 to 64 months; mean age: 18.6 months) who underwent complete echocardiographic examinations with video viewing of an age-appropriate videotape required no sedation. The use of sedatives is one way to calm children during examinations or procedures. Children can be irritable during US examinations due to the darkness of the US room, presence of unknown people, and unfamiliarity with the procedure. But unfortunately children often focus on the negative aspects of the ads. Thereafter the focus shifts to the role of cartoons in this process.

In the case of war cartoons, I focus on the mechanics of visual mis-representation, or how the techniques of blending such as topological conformity, metonymic shortening, and compression--can be used to serve an ideological end in order to lie, to exaggerate, or even to expose the truth. My WW II examples come from the recently republished war cartoons of Theodor Seuss Geisel, better known as the author of Dr. Seuss’ children’s books. I explore visual manifestations of hatred in war cartoons from both a historical and contemporary perspective. A sample of 217 cartoons with insect themes were collected from 1988 to 1993 from newspapers ( The Denver Post, The Coloradoan, The Rocky Mountain News , and The Fort Collins Comic News ), popular magazines ( Reader's Digest and The New Yorker ), and books ( Prehistory of the Far Side) . The author demonstrates how a familiar repertoire of Irish symbols and myths was grafted onto the bodies of Toronto’s “Irish” and/or “Ulster” personalities, connecting them with events on the other side of the Atlantic.